He was reportedly suffering from lung cancer.
The Films of Hayao Miyazaki and Studio Ghibli
Along with renowned director Hayao Miyazaki, Takahata founded Studio Ghibli, among the most influential animation houses in the world. The studio became internationally known for such films as My Neighbor Totoro , Princess Mononoke , and Spirited Away , which was awarded best animated feature at the Academy Awards. Born in , Takahata began his career at Toei animation studio in , where he met Miyazaki, according to Japan Today. The characters, in particular, are portrayed with great flexibility: realistic in the serious scenes, deliberately stylised during the more comic moments that help temper the otherwise grave journey.
One curious quirk one that is common for TV anime is the short comic sequence that marks the advertising break halfway through the episode.
The Films of Hayao Miyazaki and Studio Ghibli
Conan, the Boy in Future 's repeating motif is a series of body match cards that feature the characters and creatures of the show, so that, for example, Conan might temporarily find himself with a shark's tail instead of legs. Many of the staff who worked on Conan, the Boy in Future would eventually find their way on to the payroll of Studio Ghibli.
Takahata, meanwhile, was continuing his own career as a director with the comic Downtown Story and the delightful Goshu the Cellist. Although he had worked on a number of TV projects, Miyazaki's most successful work post- Conan came with six episodes of Sherlock Hound Meitantei Houmuzu, This Italian-Japanese co-production re-tells Conan Doyle's Sherlock Holmes stories through the conceit of using anthropomorphised dogs in the majority of the roles.
The end result has beautifully realised Victorian settings and transport but the action scenes really push the animation to its limits. The anachronistic use of technology there are early planes as well as steamships and trains that are familiar in design but deliberately not quite based on real vehicles gives the series a distinct aesthetic that is striking and effective.
Although the series suffered legal problems initially, it did eventually get released and proved highly successful. Both Miyazaki and Takahata spent time working on the expensive and long-delayed film of Little Nemo , a huge multinational co-production that really showed what cutting-edge animation could achieve, given the resources.
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However, both resigned from the troubled production, which had already seen a number of personnel changes and rewrites even before their involvement. Plucky boy warrior Horusu should be enjoying a simple life in his peaceful village but malevolent would-be dictator Grunwald unleashes savage silverwolves to decimate the community and scatter its people. Brave Horusu plucks the Sword of the Sun from the arm of Mogue, a gargantuan rock man, and is given the task of reuniting his oppressed compatriots, a feat he can only achieve by re-forging the blade and becoming the legendary Prince of the Sun.
As if the villagers did not have enough to contend with, there's also a giant killer pike that's gobbling up the fishermen, a rat invasion and the prospect of further evil creatures conjured from the depths of Grunwald's black soul. Horusu does have aid in the shape of his companion Koro, an enthusiastic bear-cub.
Less clear are the motives of Chiro, a chirpy squirrel, deeply suspicious owl, Toto, and melancholy singer, Hilda, cursed by her own solitude. Horusu must decide whether he should re-forge the sword that could fulfil his destiny.
Horusu: Prince of the Sun was the first feature film directed by Takahata Isao and one that would mark a defining moment in Japanese animation. Despite its mythical setting in Scandinavia allegedly the setting was changed at the behest of the Toei bosses who were unhappy that the film was to centre on the Ainu people of Japan , the film is a reflection of the political and social struggles of the time. The feeling at Toei just then was that they were treated less as artists and more like factory workers, churning out kids' cartoons rather than films with a deeper purpose.
Horusu was produced by Takahata and many from the Toei union team, including Miyazaki and future character designer on Castle of Cagliostro and Conan, the Boy in Future, Otsuka Yasuo, to show that an adventure film could have a social context. What is so striking about Horusu is the way that it mixes a rip-roaring tale of heroism with vivid, openly socialist content. The village is like a cooperative, the villagers happy in their work. The simplistic rural lifestyle is seen as wholesome and would later be reflected in films like Only Yesterday and Pom Poko.
In these later films, socialism is a notable but subtle subtext; in Horusu the links are more blatant — Horusu himself often being portrayed from a low angle as a people's hero.
Most strikingly, the scenes where the Sword of the Sun is finally forged are produced in a style that recalls Sergei Eisenstein and Dziga Vertov. At heart Horusu is a mythic adventure, full of epic battles, betrayals and heroic deeds. What is interesting about some of Takahata and Miyazaki's projects is the influence of European stories and myths, albeit told from a distinctly Japanese perspective. In Horusu, aspects of Norse mythology and Arthurian tales of swords in stones, sorcery and destiny are particularly apparent.
Without the budget to sustain a fully animated feature-length animation that is, animating 24 frames per second of film , Horusu employs a number of techniques to make its tale appear as expansive as possible.
Isao Takahata Was Hayao Miyazaki's Arch-Rival And Best Friend
The only feature directed by Yoshifumi Kondo, whom Miyazaki and Takahata had high hopes for he also worked on "Princess Mononoke" but whose directorial career was cut short by his sudden death at the age of In a land reminiscent of premodern Japan, young Prince Ashitaka sets out on a journey to discover a cure for a festering wound he received at the hands of a strange beast—a wound which also gives him great power at a terrible cost.
The story has little plot, but rather a series of loosely-connected scenes that work as comic meditations on family life. LeGuin herself found the movie departed drastically from her works, and critics lambasted the finished product for being technically impressive but a storytelling jumble. It remained unreleased in the U. Little Sosuke saves what he thinks is a goldfish but is actually Ponyo, daughter of a magician from deep within the sea.
Ponyo takes on human form and becomes a playmate to Sosuke, but at the cost of unhinging the natural order of things. The stunning, hand-drawn details that crowd almost every frame—the waves, the endless schools of fish—are a real treasure to watch in an age when most such things are spat out of computers. Another successful adaptation of a children's book, this one based on Mary Norton's "The Borrowers.
Eventually, Arrietty and her kin must enlist the help of the human family's youngest son, Sho, lest they are driven from their hiding places.
https://erlowajetbla.cf Against the backdrop of a bustling postwar Japan preparing for the Olympics, a girl who lost her father to the Korean War strikes up a tentative friendship—and possibly more—with a boy in her class. The two of them team up to save the school's dilapidated clubhouse from demolition but then discover they share a connection that neither of them could have possibly foreseen.
Related Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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